Monday, July 25, 2011

papercut

http://www.designerhk.com/blog/53/5660

http://www.designerhk.com/blog/53/5679

http://www.designerhk.com/blog/53/5958

http://www.designerhk.com/blog/53/6046

http://www.designerhk.com/blog/53/3605

http://www.designerhk.com/blog/53/3639

http://www.designerhk.com/blog/48/1997

Monday, May 30, 2011

Copyright Issues

To Purchase a Font:



Jacobs Sans Semibold Italic


To download the Jacobs Sans Semibold Italic from the Font Shop, It's available within 3 different packages, 8 Fonts for $284.00, 4 Fonts for $170.00 and 1 Font for $56.00. According from the Agreement, you can use this font in a certain number (maximum of 5) of computers within your organisation and you can purchase the additional licenses at any time. This font can not be distribute to other people outside your organization. 


3 points from Term & Condition:
1. If you are purchasing a basic license, you may use the fonts on a maximum of 5 computers within your organization. You can purchase additional licenses at any time, which grant you the rights to use the fonts on additional computers - priced according to a separate multi-user licensing scheme.


2. You may modify the fonts for your own purposes, but the copyright remains with Norwegian Fonts, and the number of computers covered by the license remains the same. You may not commission a third party to modify the fonts without first gaining permission from the designer of the original font. 
You may not sell or give away modified versions of the fonts.

3. You can make archival copies of the fonts for your own purposes. You will not distribute the fonts to people outside of your organization. A copy of the fonts may be sent as part of a file release to a prepress bureau, if absolutely necessary. The fonts can be embedded in other software files, such as Portable Document Format (PDF) or Flash files, but you will take all reasonable care to embed the fonts in such a way that they cannot be extracted from the files you create.

http://www.fontshop.com/fonts/singles/norwegian_fonts/jacobs_sans_semibold_italic/




To purchase an image:


To purchase a large version (6.0" x 9.0"@300 dpi) of this image with a Pay- as - you - go plan, it requires:


15 Credits x 95¢
= US $14.25
= AUS $13.31


http://www.istockphoto.com/stock-photo-4479985-surfer-girl.php?st=82dbebc










To purchase a large version (6.0" x 9.1"@300 dpi) of this image with a Pay- as - you - go plan, it requires:



30 Credits x 95¢
= US $28.5
= AUS $26.63

http://www.istockphoto.com/stock-photo-11413853-blue-sky-over-white-bus-crossing-the-alpes.php?st=71a387b

To purchase a large version (6.9" x 10.7"@300 dpi) of this image with a Pay- as - you - go plan, it requires:

10 Credits x 95¢
= US $9.5
= AUS $8.87

http://www.istockphoto.com/stock-photo-14252729-surf-board.php?st=95a8262





Term & Condition for images:



Permitted to use



  • advertising and promotional projects, including printed materials, product packaging, presentations, film and video presentations, commercials, catalogues, brochures, promotional greeting cards and promotional postcards (ie. not for resale or license);

  • entertainment applications, such as books and book covers, magazines, newspapers, editorials, newsletters, and video, broadcast and theatrical presentations;

  • on–line or electronic publications, including web pages to a maximum of 1200 x 800 pixels for image or illustration Content or to a maximum of 640x480 for video Content;

  • prints, posters (i.e. a hardcopy) and other reproductions for personal use or promotional purposes specified in (1) above, but not for resale, license or other distribution; and

  • any other uses approved in writing by iStockphoto.


  • Prohibitions to use


  • use the Content in design template applications intended for resale, whether on-line or not, including, without limitation, website templates, Flash templates, business card templates, electronic greeting card templates, and brochure design templates;

  • use or display the Content on websites or other venues designed to induce or involving the sale, license or other distribution of “on demand” products, including postcards, mugs, t-shirts, posters and other items (this includes custom designed websites, as well as sites such as www.cafepress.com);

  • use the Content in any posters (printed on paper, canvas or any other media) or other items for resale, license or other distribution for profit;

  • use any of the Content as part of a trade-mark, design-mark, trade-name, business name, service mark, or logo



  • Tuesday, May 17, 2011

    My Team Logo

    The Greek God Aphrodite- Female swimming team


    The Floating silk- I have create the hair with a silky feel texture to show as the beauty of Aphrodite and the wave of water.

    Dolphin Lady- Dolphin is one of the symbol that represent Aphrodite, therefore, I have used the outline of dolphin and text to represent the youth female swimming team. 

    Different versions of Elegant Wave- I have used the wave symbol to create the Letter E of these logo to show the movement of water.

    Monday, May 9, 2011

    Concept Evaluation

    Stuart McLachlan (Australia)

    http://www.picturepig.com/Stuart%20McLachlan.html

    Apart from illustrations, Stuart McLachlan has used paper styling techniques to produce most of his current design. From the French Film 2009 Festival poster, it's clearly shown the use of colours and compositions have became one of the main elements used in this design; he has used the French man as the hierarchy and foreground of this design by creating a sense of movement and solid colours of red, blue, black and white to attract audience's attention.  


    Stuart McLachlan has used different graphics to represent the concept for this design. He has created a background of french architecture and the colours of French (red, blue and white) on the scarf is also representing the colour of French's flag. The Illustration had also shown that the man is also sitting on a director's chair and this represent the theme of this poster. I think this is a successful design of Stuart McLachlan where he has used strong graphics to represent the theme of this poster in a simple and easiest way for audience to understand.

    Sunday, May 8, 2011

    Trends and Designers

    Design Trend 1- Typography


    From the AGIDEAS conference, I have found that some designers use typography as the main element of their designs.

    Ken Miki (Japan)

    http://ken-miki.net/

    From the AGIDEAS conference, Ken have shown us a great amount of designs that were create with types, he has used simple elements with types to create the hierarchy for most of his design and these show the expression and message in each piece. He has also used simple design elements such as line and colour of black and white show the text. Composition and space is also an important element that was used to the highlight the message in each design.



    Something Splendid (Australia)


    http://www.somethingsplendid.com.au/work/2009/melbourne-fringe/
    http://www.theloop.com.au/somethingsplendid#overview

    Something Splendid has also used typography as the to create these advertisement design. Apart from computers editing, they have handmade most of their design with paper, cardboards and photographic such as the Fringe billboard and the logo; for this they have used different size of blocks to put each letter together just like a Pixel Artwork.



    Design Trend 2- Simplicity


    Most of the speakers from AGIDEA has suggest us to keep our design as simple as possible.


    Christopher Doyle (Australia)


    http://www.agideas.net/agideas-2011/speakers/speaker?speakerId=60
    http://www.jameskurtz.com/christopher-doyle™-identity-guidelines/

    Christopher Doyle have used simplicity to create different strong designs. He has used simple colours, images, cropped types, and negative spaces to the sense of simplicity.

    Fanette Mellier (France)
    http://idnworld.blogspot.com/2008/10/fanette-mellier-is-featured-in-idn.html


    Fanette Mellier is also one of the designer that used simplicity for her designs. She has used simple forms and colours to create different interesting typefaces.



    Tuesday, April 5, 2011

    Indigo Design Network

    The ethical dimension of indigenous design - by Kevin Murray


    http://www.indigodesignnetwork.org/?p=3868&cpage=1#comment-318

    Monday, April 4, 2011

    Aboriginal Motifs

    Functions and Philosophies


    Respect:
    From the Visual arts protocol guide, it's shows a high respect of Aboriginal to protect their own cultural. Each cultural material and artwork have contain different background from the indigenous visuals artists to diversity their experience and cultural of their living and evolving.  However, Indigenous artist are trying to find different approval from their community for different public projects in Australia. It uses Indigenous images, designs, stories and cultural expression as the main cultural material for each artwork and it contains the right and the control of heritage of the Indigenous people.


    Communication, consultation and consent:
    From the Indigenous community, For each Indigenous piece (such as artwork and images) may contain different culture affect and cultural differences, therefore, it's important to find the right person and community group for details. It's also important to ask permission to use for any tribal, creation stories and the traditional designs form the elder's Aboriginal. Permission also require to be ask for any photographs because it has been a major concern for the Indigenous people on the use of their images to be use as a promotions; images of the communities and the deceased people also need to be aware because it may cause distress.




    Moral Rights and Issues
    To produce a design that refer to the Aboriginal motifs permission and a brief discussion need to be asked with the Aboriginal community to show our respect to the Indigenous cultural.






    http://www.australiacouncil.gov.au/__data/assets/pdf_file/0004/32368/Visual_arts_protocol_guide.pdf